![\"flujo](\"https:\/\/www.cryptocabaret.com\/wp-content\/uploads\/2025\/10\/flujochina.jpg\")
The American copyright industry generates billions of dollars in annual revenue and its content is generally viewed as one of the country\u2019s primary exports.<\/p>\nThe American copyright industry generates billions of dollars in annual revenue and its content is generally viewed as one of the country\u2019s primary exports.<\/p>\n
Whether they produce movies, music, software, or content for the publishing sector, U.S. companies are among the market leaders.<\/p>\n
U.S. companies also have a clear presence in China, and with more than a billion potential consumers, it\u2019s a massive market. This offers enormous potential, but there are threats as well, including various forms of piracy.<\/p>\n
A few days ago, several of these threats were highlighted by the International Intellectual Property Alliance (IIPA<\/a>), which counts copyright groups including the MPA, RIAA, and ESA among its members. The IIPA shared its concerns with the US Trade Representative as part of the annual review of China\u2019s World Trade Organization (WTO) obligations.<\/p>\n The IIPA has repeatedly called out enforcement challenges and trade barriers in China, so it doesn\u2019t come as a surprise that it\u2019s highly critical of the country\u2019s efforts to protect American rightsholders. On that front there are some new and notable developments. <\/p>\n Published earlier this week, the IIPA\u2019s submission highlights MagisTV as a Chinese problem. The video piracy service recently rebranded as Flujo TV<\/a> and is not popular in China at all. That\u2019s no surprise, as it specifically targets Latin American users.<\/p>\n Thus far, most of the enforcement against (re)sellers of the pirate service has taken place in Latin America<\/a>, but IIPA links the operation directly to China.<\/p>\n<\/p>\n That MagisTV and its successor have links to China has been mentioned in previous policy submissions. In addition, the Chinese company \u2018Shenzhen Huiyi Electronics\u2019 applied for the MagisTV trademark<\/a> at the U.S. Patent and Trademark Office, without success<\/a>. <\/p>\n According to the submission, a growing number of Chinese-origin piracy operations exclusively market their sites or services to audiences outside the country. This \u201cexport-only\u201d scheme applies to MagisTV and others including LokLok and GIMY.<\/p>\n \u201c[T]he exporting of pirated content, piracy services, and piracy devices (PDs) from China to foreign markets is a growing and equally troubling global trend,\u201d it reads.<\/p>\n IIPA notes that these apps and services often geo-block access from within China to evade local enforcement. This suggests a deliberate and sophisticated strategy to operate globally without drawing attention from Chinese law enforcement. <\/p>\n There are civil and criminal enforcement actions in the country. The National Copyright Administration of China (NCAC), for example, has booked results against various piracy operations. However, IIPA notes that it doesn\u2019t appear to take referrals for operations that have no local presence, effectively creating a loophole that should be closed.<\/p>\n \u201cThis allows China-based operations to evade enforcement action by simply geo-blocking their services from access within China or serving a different set of content to users accessing these services from within China,\u201d IIPA writes. <\/p>\n The IIPA recognizes that China has made progress recently but new problems continue to emerge. For example, where gaming pirates previously cracked games, they now often reskin the software to make it look different which presumably makes enforcement more difficult. <\/p>\n \u201cInstead of traditional methods that involve technical cracking of game software for complete duplication and distribution, game piracy in China is increasingly characterized by reskinning the original games with non-substantial revisions,\u201d IIPA\u2019s submission reads. <\/p>\n To tackle the reskinning problem, China should amend its copyright law by classifying video games as a distinct type of copyrightable work, IIPA argues. This would make it easier to establish infringement when a game\u2019s overall elements are copied.<\/p>\n The IIPA also lists a series of suggestions to address the \u201cexport-only\u201d piracy apps and services. This includes expanding the enforcement scope to Chinese-run services operating outside the country, as well as a general improvement of cross-border enforcement cooperation to tackle problems more effectively.<\/p>\n All in all, the submission highlights an ongoing game of cat-and-mouse where pirates exploit technology and enforcement loopholes to stay a step ahead of those who try to shut them down. <\/p>\n \u2014<\/em><\/p>\n A copy of IIPA\u2019s filing regarding China\u2019s WTO compliance, submitted to the U.S. Trade Representative, is available here (pdf)<\/a>.<\/p>\n From: TF<\/a>, for the latest news on copyright battles, piracy and more.<\/p>\nU.S. Rightsholders Link MagisTV to China<\/h2>\n
![\"iipa](\"https:\/\/www.cryptocabaret.com\/wp-content\/uploads\/2025\/10\/iipachina.jpg\")
<\/center><\/p>\nPiracy as an Export Service<\/h2>\n
More Problems & Solutions<\/h2>\n